ART :: CHARLES DICKENS: 4 GHOSTS… PART IV

I trust everyone is having a wonderful Christmas season! To celebrate the season here at “The Strange, Far Places,” I wanted to create a poster series in tribute to the Charles Dickens ubiquitous holiday classic “A Christmas Carol.” This is the second installment in the series.

We all know the story and we all tend to think of it for it’s message, a universal story of redemption and change. What we tend to forget because of its hopeful holiday context is that it’s really, in style and subject, another one of Dickens’ ghost stories. Realistically, this story is crawling with them — the four main agents of change within the story being spirits bent on not only educating Scrooge into a new way of life, but also scaring the nightshirt off of him to do so.

With the advent of the New Year, I am posting the final in a 4 poster series in tribute to the season and the ghosts that drive this story of chills and change. Here is poster No. 4 ::

GHOSTOFCHRISTMASFUTURE

The happiest of New Year’s wishes to all!

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LITERATURE :: RAY BRADBURY… “THE VELDT”

bradbury

Welcome to Part II in our ongoing series in tribute to the great master Ray Bradbury. You can read Part I here. In tribute, I’m sharing horror works featured on a brilliantly produced radio series featuring Bradbury’s stories called “Bradbury 13.” YouTube user “The Edge of Nightfall” has posted episodes from the series. Soooo, here is “The Veldt,” a creeptastic classic …

Enjoy!

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ART :: CHARLES DICKENS: 4 GHOSTS… PART III

I trust everyone is having a wonderful Christmas season! To celebrate the season here at “The Strange, Far Places,” I wanted to create a poster series in tribute to the Charles Dickens ubiquitous holiday classic “A Christmas Carol.” This is the third installment in the series.

We all know the story and we all tend to think of it for it’s message, a universal story of redemption and change. What we tend to forget because of its hopeful holiday context is that it’s really, in style and subject, another one of Dickens’ ghost stories. Realistically, this story is crawling with them — the four main agents of change within the story being spirits bent on not only educating Scrooge into a new way of life, but also scaring the nightshirt off of him to do so.

Between now and the New Year, I am posting 4 posters in tribute to the season and the ghosts that drive this Christmas story of chills and change. Here is poster No. 3 ::

GHOSTOFCHRISTMASPRESENT

The happiest of holidays to all!

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ART :: CHARLES DICKENS: 4 GHOSTS… PART II

I trust everyone is having a wonderful Christmas season! To celebrate the season here at “The Strange, Far Places,” I wanted to create a poster series in tribute to the Charles Dickens ubiquitous holiday classic “A Christmas Carol.” This is the second installment in the series.

We all know the story and we all tend to think of it for it’s message, a universal story of redemption and change. What we tend to forget because of its hopeful holiday context is that it’s really, in style and subject, another one of Dickens’ ghost stories. Realistically, this story is crawling with them — the four main agents of change within the story being spirits bent on not only educating Scrooge into a new way of life, but also scaring the nightshirt off of him to do so.

Between now and the New Year, I am posting 4 posters in tribute to the season and the ghosts that drive this Christmas story of chills and change. Here is poster No. 2 ::

GHOSTOFCHRISTMASPAST

The happiest of holidays to all!

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FILM :: BEST OF HORROR SHORTS… “DEUS IRAE”

filmshorts

We’re headed to Argentina for this great horror short. It’s “DEUS IRAE” this week.

This is a wonderfully fun short that brings to mind Guillermo Del Toro meets William Peter Blatty with a healthy dose of Robert Rodriguez and Quentin Tarantino in the pot. Director/producer duo behind “DEUS IRAE” Pedro Cristiani and Guille Gatti should be decidedly proud to invoke those names. This is BEGGING for a full feature-length treatment and at one time Nerdhaus Films (the company behind this dynamic duo) said one was in development. We’re still eagerly awaiting. In the mean time, enjoy this short and all of the promise it brings.

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ART :: CHARLES DICKENS: 4 GHOSTS… PART I

I trust everyone is having a wonderful Christmas season! To celebrate the season here at “The Strange, Far Places,” I wanted to create a poster series in tribute to the Charles Dickens ubiquitous holiday classic “A Christmas Carol.”

We all know the story and we all tend to think of it for it’s message, a universal story of redemption and change. What we tend to forget because of its hopeful holiday context is that it’s really, in style and subject, another one of Dickens’ ghost stories. Realistically, this story is crawling with them — the four main agents of change within the story being spirits bent on not only educating Scrooge into a new way of life, but also scaring the nightshirt off of him to do so.

Between now and the New Year, I will be posting 4 posters in tribute to the season and the ghosts that drive this Christmas story of chills and change. Here is poster No. 1 ::

jacobmarley

The happiest of holidays to all!

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LITERATURE :: RAY BRADBURY… “THE RAVINE”

bradbury

In 2012, we lost one of the greats, the ever-imaginative Ray Bradbury.

Bradbury’s stories range from the truly heartwarming to the hauntingly horrific and it is this intersection that makes his work as emotionally resonant as it is imaginative or terrifying to us. I’m, of course, focused on the author’s horror work on this blog and what a body of work it was. From “Something Wicked This Way Comes” to “Autumn’s People” to “Zero Hour” to “Small Assassin” and SO MANY others, he gave us some of the most enduring and heart-pounding images of youth.

His control of language was wonderful, sometimes even giving greats like Updike a run for their money. Look at these passages from two Bradbury short stories…

It came on great oiled, resilient, striding legs. It towered thirty feet above half of the trees, a great evil god, folding its delicate watchmaker’s claws close to its oily reptilian chest. Each lower leg was a piston, a thousand pounds of white bone, sunk in thick ropes of muscle, sheathed over in a gleam of pebbled skin like the mail of a terrible warrior.

— AND —

How tall they stood to the sun. In the last few months it seemed the sun had passed a hand above their heads, beckoned, and they were warm metal drawn melting upward; they were golden taffy pulled by an immense gravity to the sky, thirteen, fourteen years old, looking down upon Willie, smiling, but already beginning to neglect him.

Awesome.

An early summer camp experience I had was my formal introduction to Mr. Bradbury’s work when a camp counselor would read a story each night to the dimly lit cabin from Ray’s shorter pieces after “lights out.” Perhaps the greatest compliment that can be paid to those short stories was that they held a VERY squirrely group of pre-pubescent boys TOTALLY rapt in the quiet darkness of those warm summer nights. We would actually beg for the stories each night.

One of the stories that we heard was the Bradbury masterwork of tension, “The Ravine.” The story was also featured on the first episode of a brilliantly produced radio series featuring Bradbury’s work called “Bradbury 13.” YouTube user “The Edge of Nightfall” has posted episodes from the series. I will be sharing some of the horror pieces here in tribute to the master’s work.

Soooo, without further claptrap from me, “The Ravine” …

Enjoy!

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ART :: POSADA… CALAVERA OF THE WEEK

posada

Welcome to the latest in an ongoing tribute to the master of the calavera, José Posada. As I say each week… His rapier visual wit and penchant for the visual metaphor of the human bone remain stunningly fresh today. Sadly, he died penniless and was buried in an unmarked grave. May this series serve as that lasting nod to his incredible legacy.

posada3

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FILM :: REVIEW… HORROR HOTEL (1960)

Another review from the world of dark cinema.

With each review, I am also sharing minimalist movie posters I have created for every film after watching it. (More on my film poster project at large, here. )

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FILM :: HORROR HOTEL

YEAR :: 1960

DIRECTOR :: John Llewellyn Moxey

horrorhotel_review

I love little vintage film gems like this. Every time I see one, I picture myself in the dim light of a matinee, a single screen theater, a smiling pre-teen horror fan taking it all in. It does, of course, predate me (1960, anyway), but I can picture it so clearly. I guess where I’m going with that is that there’s something wonderfully comforting about films like “Horror Hotel” (or “City of the Dead” as it was called for its European release).

Well-cast, well-written and well-produced on a modest budget, there’s a ton to like about this film.

George Baxt and Milton Subotsky were on writing duties here and they did a bang-up job of giving this a strong backbone. Though surreal, the story hangs together well and for me, it captured the spirit of the arcane and horrific setting and feel of much of H.P. Lovecraft’s stories.

The cast is a really great group. To start, how can you not like the great Christopher Lee in a relatively early role as the intensely-dark-but-super-suave college professor, Alan Driscoll? Fun, all day long. Tony-Award-winning stage actress, Patricia Jewell is wonderful as a witch, burned at the stake in 17th century New England, but returned to life to terrorize the cursed village of Whitewood.

The remaining cast is strong and fun in turn, but I found myself particularly captivated by Nan, the college co-ed at the center of the film, played by the beautiful Venetia Stevenson. Stevenson is truly gorgeous (we even see her briefly looking amazing in a corset — don’t worry, it’s QUITE tame) and she’s perfect for the role.

venetiastevenson

Wowsers, what a vision!

I would be remiss not to mention the other beauty of the film, Betta St. John, who is the “Marilyn” to the “The Munsters” of Whitewood — a beacon of normalcy and ravishing in her own right amongst the scares and freaks of the dark town and it’s dark townsfolk. Her normalcy only adds to the eeriness of the proceedings.

All of that is a huge part of “Horror Hotel’s” success, but what I like best is it’s tense atmosphere. I love where so much of the horror genre has gone today, but I think we’ve quite often lost the eerie atmospheric “turn of the screw” that works so well about 60’s genre gems of this type. Really, this movie is FULL of horror genre tropes, but they all work so well that it only adds to the film’s charm. From dark, cobwebbed catacombs to satanic-driven dialogue to mouldering graveyards, it’s all in “Horror Hotel,” but to truly great effect.

If you’re looking for something with a wonderful vintage appeal that still has some eerie creeps and atmosphere, you’ve found it in “Horror Hotel.”

strangelogoforblog_4_stars

RATING ………………. 4 STARS

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FILM :: BEST OF HORROR SHORTS… “ABE”

filmshorts

Time for another great horror short. The film we’re watching here is called “ABE” and it’s pretty much a perfect example of what great sci-fi horror can be.

Overall, executionally it’s QUITE strong — awesome photography and VFX and truly wonderful performances by the entire cast. That should absolutely be recognized. BUT, it’s the concept, the writing and the story here that make this something really fresh, something great. Annnd, that ending made me grin BIG. Ear-to-ear smiles for this one. Huge kudos to writer / Director Rob McLellan! It’s easy to see why MGM has already picked this up to be a feature film.

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LITERATURE :: REVIEW… “CARRION COMFORT” BY DAN SIMMONS

Gerald Manley Hopkins late 1880’s poem, “Carrion Comfort,” begins this way ::

Not, I’ll not, carrion comfort, Despair, not feast on thee;
Not untwist—slack they may be—these last strands of man

This definitive call of hope and perseverance forms the basis for Dan Simmons’ epic horror saga of the same name.

carrioncomfort

When I say epic, I mean it. On a host of levels. Yes, the book is long, clocking in at nearly 650 pages in my version (with some printings topping 800 pages), but it is the concepts behind the book and reach of the story that truly makes it epic.

The publisher’s book description sums it up this way ::

THE PAST…  Caught behind the lines of Hitler’s Final Solution, Saul Laski is one of the multitudes destined to die in the notorious Chelmno extermination camp.  Until he rises to meet his fate and finds himself face to face with an evil far older, and far greater, than the Nazi’s themselves…

THE PRESENT…  Compelled by the encounter to survive at all costs, so begins a journey that for Saul will span decades and cross continents, plunging into the darkest corners of 20th century history to reveal a secret society of beings who may often exist behind the world’s most horrible and violent events.  Killing from a distance, and by darkly manipulative proxy, they are people with the psychic ability to ‘use’ humans: read their minds, subjugate them to their wills, experience through their senses, feed off their emotions, force them to acts of unspeakable aggression.  Each year, three of the most powerful of this hidden order meet to discuss their ongoing campaign of induced bloodshed and deliberate destruction.  But this reunion, something will go terribly wrong. Saul’s quest is about to reach its elusive object, drawing hunter and hunted alike into a struggle that will plumb the depths of mankind’s attraction to violence, and determine the future of the world itself…

Ummmm yeah… It’s a large, far-reaching concept that manifests itself in a great big, sprawling horror masterwork that spans time, distance and humanity.

True, “Carrion Comfort” is big and there’s no question that some will find it a challenge, but it also crafts what only a select few genre books manage to: a compelling statement about not only man’s inhumanity to man, but also the humanity that bonds us all together across all barriers and labels. That’s an extremely tough thing to do, but “Carrion Comfort” delivers with grace.

In the book, Simmons reinvents the vampire concept, breathing new life and vigor into it and consequently building new chills in the process. This is NOT your typical vampire fare and PRAISE STOKER that it isn’t. The book explores a powerful psychic vampirism rather than the standard blood-on-the-neck variety and the psychological bent that this reinvention brings to the book is a revelation. The vampires of “Carrion Comfort” still view humanity as mere “tools” for their use, but the concept of mind rape and control moves this use beyond a physical need, easily held at bay with garlic and the cross into something far more sinister than mere hunger and more terrifying than animal instinct. Humans are still disposable, but it comes to life in a far more callous and degrading way here to great effect.

With “Carrion Comfort,” to get into the specifics of plot in a review like this beyond the tease I have included above is fruitless; a bit like attempting to stuff a full loaf of bread into a shot glass. BUT, rest assured, it’s a broad and varied journey that the book takes readers on, replete with interesting tableaus and terrifyingly imaginative setups and situations. Some of these are truly indelible images, unforgettably innovative and disturbing set-pieces of modern horror that left me shaking my head, grinning ear-to-ear.

“Carrion Comfort” is also a masterwork of style. As I mentioned in my review of another Simmons’ classic, “Summer of Night,” the author has an incredible way with tactile detail. We feel the bone-crunching, neck-snapping, warm blood of violence, the desert breezes, cold winter bluster and sweaty torrents of myriad locations, and a range of emotions from the gentle touches of budding love to the horrible invasion of the mind rape and loss of will inherent in the vampires’ attack — all with a brutal sense of immediacy. Simmons has a touch both nuanced and sinewy that is very satisfying for this aging English major.

If ANY criticism could be leveled at the work, it is that some feel it could use a good edit. Fair enough… Perhaps. I certainly wouldn’t want to lose what works so well about the book.

I’ll wrap this review with some comments from luminaries infinitely more talented than I ::

“’Carrion Comfort’ is one of the three greatest horror novels of the 20th century. Simple as that.” — Stephen King

“Epic in scale and scope but intimately disturbing, ‘Carrion Comfort’ spans the ages to rewrite history and tug at the very fabric of reality. A nightmarish chronicle of predator and prey that will shatter your world view forever. A true classic.” — Guillermo del Toro

“‘Carrion Comfort’ is one of the scariest books ever written. Whenever I get the question asked Who’s your favorite author? my answer is always Dan Simmons.” — James Rollins

Annnd… The awards ::

Bram Stoker Award, The Locus Poll Award for Best Horror Novel, The World Fantasy Award for Best Novel, and The August Derleth Award for Best Novel

“Carrion Comfort” is NOT to be missed if you are looking for a weighty read with some true chills, a real journey.

strangelogoforblog_4andahalf_stars

RATING ………………. 4.5 STARS

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ART :: THE TOP 50 HORROR POSTERS OF ALL TIME… 35 >> 31

As you may be able to tell, I love great poster art, but especially posters from the great horror movie cannon. This is the fourth installment of my countdown of the best of the genre.

Here’s how I selected the list. I used three main criteria to shape my decisions ::

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>> DESIGN / IMAGE — This is the baseline. As a designer by trade, I feel strongly that any great or effective poster HAS to start here. Is the poster effective as a piece of art? Is the poster is a strong representative of the art of graphic design? Did it capture a particular spirit or movement in design?

>> TITILLATION / PROMOTION — Though we tend to contextualize film and the associated collateral as “art,” it is ultimately a form of commerce. Any movie poster has to promote the film it supports either through a delicious tease or overt sales pitch. How effective is the poster at selling the film it is tied to?

>> IMPACT / LEGACY — Sometimes even mediocre films get truly great posters. Sometimes, we even remember the image of the poster far longer than the film itself. What was the lasting effect of the poster? Was it iconic or timeless in some way? Was a part of a larger context?

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Every poster on this list is a cocktail of the above elements, mixed in different ways. All successful in their own right. Let’s jump in to 35 >> 31…

numbers35

splice

2010

numbers34

human_centipede

2010

numbers33

godzilla_vs_the_thing

1964

numbers32

thing_with_two_heads

1972

numbers31

grindhouse

2007

Look for Part V, coming right up!

Special thanks to http://www.impawards.com for many of the images in this countdown. AWESOME site.

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