ME :: WEIRD DREAM

I don’t post often about myself here. I do on occasion, but I guess I feel that there are so many other things more interesting in the world. HOWEVER, very early this morning, I had a terrifying dream and I felt compelled to share it here.

 

weird_dream

As I mentioned recently, I’ve just relocated for a new job. Consequently, I’m living alone for the first time in over 20 years. It’s very different thing for me.

I’m staying in a lovely little bungalow on the east side of Austin, Texas. It’s a bright place and perfect for my needs. I’ve been thrilled to be here. That bungalow was the setting for my nightmare.

In the dream, I was aware that a malevolent force was trying to get into the house. The knob on the front door shook violently, dark hands rapped at all of the windows on the building, feeling for a way in. I even heard scuttling and scratching over the roof and looked up to see an indistinct face peering in at me, silhouetted against the stars through the blackened skylight.

Then, heavy footfalls on the wood of the balcony. I approached the curtain covering the large glass sliders hesitantly, stopping and just listening to the movement out on the deck. I put my hand on the fabric hiding what stood out beyond the glass doors and paused. Then, suddenly threw it back, showing my tormenter.

The person that stood facing me, laughing maniacally, was ME. At least it looked exactly like me, but I was aware that it wasn’t me, but rather some dark version of myself. One that I knew meant me nothing but harm.

I screamed in the nightmare and I am quite sure I did in the night here in real life as well. Just terrifying.

I was instantly reminded as I sat up in bed of the climactic finale of the disorienting and disarming 60’s Brit series, “The Prisoner.” The moment when Number 6 unmasks Number 1 is an absolutely iconic scene. The mask comes off to see a man with Number 6’s features roaring with the laughter of the mad. Unnerving.

Here’s a clip from the series that gives a glimpse of that unnerving disorientation. Added bonus: It features a Beatles track in a very rare example of a TV series licensing a real song for the time. Check it out ::

After I was fully awake and thinking about the nightmare (with the lights on), I thought of the classic “Twilight Zone” episode, “Mirror Image.” It tells the story of a woman who finds her doppelganger in a bus station only to realize that her double has come to steal her life away from her. The subtle creepiness of the look she gets when her double faintly smiles down at her from a bus, knowing that she will succeed in taking away a woman’s life still gives me a chill ::

mirrorimage

Here’s a short clip from the episode ::

I have been thinking about the dream all day. There’s no question that it’s pregnant with meaning. I will, however, leave that analysis to the stars and the darkness. Here’s to better sleep tonight.

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FILM :: GREAT MINDS…

HR Giger’s dark designs for the “Alien” film saga are among the most indelible creations we have in the great the horror cinema cannon. Truly, a nightmare made manifest in gleaming obsidian biomech beauty.

In my staggering wanderings around the interwebs, I stumbled some time back on this amazing “dental phantom” from the 1930’s. It is from 5HandsCuriosities‘ collection. He acquired it at the famed purveyors of the weird, Obscura, in NYC. It came to mind again and I thought I would share it here. It was used for dental students to practice their craft.

When I saw it, it was an immediate, visceral connection for me (and apparently so many others who see it), with Giger’s work. Imagine entering your dark bedroom hallway to see a creature with THAT noggin leering at you. Simply awesome.

dentalphantom

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FILM :: THE PERFORMANCE THAT LAUNCHED A THOUSAND NIGHTMARES

mccambridge

In short, Mercedes McCambridge was a badass. A total badass.

When Orson Welles calls you “the world’s greatest living radio actress,” you could basically hang it up at that point. But why do that when you could go on to win a Best Supporting Actress Academy Award for the classic “All the King’s Men” in addition to a nomination for the same category for her performance in the legendary “Giant.”

But honestly, none of those items are what modern audiences know her best for.

McCambridge gives the bone-chilling, absolutely unforgettable performance behind the performance in The Exorcist. She is the embodiment of Pazuzu, the demon that takes hold of Linda Blair’s possessed Regan McNeil.

There’s so often so much talk about method actors who give themselves over to a performance and yet we never hear about what went into McCambridge’s landmark performance. Watch this short piece on how incredible it really was ::

The end of that clip makes me laugh every time. “Finish your popcorn.” I love it. I’m telling you… Badass.

Watch this clip of the natural sound from the scene before McCambridge’s work was edited in. It’s a wonderful example of just how much she brings to not only the film, but also the lexicon of what we think of as “possession” ::

That is NOT to take anything away from what Blair brought to the role. That is nothing short of amazing in itself. Though there is an undeniable creepiness to the natural sound, it is the fusing of the two storied performances that creates the stuff of legend.

Here’s another excerpted clip showing her truly frightening skills. Very much worth a watch. It gives me chills ::

http://www.tubechop.com/watch/2677617

Here’s to you, Mercedes, you badass, you! We miss you.

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FILM :: BEST OF HORROR SHORTS… “LIGHTS OUT”

filmshorts

This week, we’re bringing you the winner of the “Best Director” title in the Who’s There? Film Challenge. I will be bringing many of these winners your way over the coming weeks. There is some reallllllly interesting stuff here. TOTAL hats off to the folks that build these shorts. It’s no mean feat to complete one of these projects, let alone to bring the real magic of telling a compelling story in 3 minutes. Props to all!

We’re headed to Gothenburg, Sweden for this installment; a devilishly fun little film called “Lights Out.” Animator and filmmaker David Sandberg does an incredible job of involving the viewer immediately in the story with minimal elements and an very-simple-but-very-effective premise. This is wonderfully age-transcendent, too — Genuine chills, but doesn’t need shock and gore to achieve them. Big fun.

Special THANKS to John Seitz for mentioning this one! Big ups, brother.

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ART :: POSADA… CALAVERA OF THE WEEK

posada

Welcome to the latest in an ongoing tribute to the master of the calavera, José Posada. As I say each week… His rapier visual wit and penchant for the visual metaphor of the human bone remain stunningly fresh today. Sadly, he died penniless and was buried in an unmarked grave. May this series serve as that lasting nod to his incredible legacy.

posada4

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ART :: CLASSIC HORROR MOVIE QUOTES… PART I… ANNNNND AN ANNOUNCEMENT

This the first post in a series of images that pays homage to the most iconic of quotes from the chilling, memorable and often darkly humorous world of horror film. Each piece features totally hand-created custom typography for the quotes themselves. A BIG “thank you” to all of the writers who give us those words that inspire in each of us as many broad smiles as cold chills. Enjoy!

Consider this a Top 10. Here is #10 and #09 in order ::

#10 :: AMERICAN PSYCHO

americanpsycho_type_dej

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#09 :: DAWN OF THE DEAD

dawnofthedead_type_dej

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I am also very pleased to announce the grand opening of my Society6 store! Selected posters and other art featured here at The Strange Far Places or in my other film-oriented personal projects are available there for purchase. All of this is really a labor of love for me, but I had some requests to obtain some of my work and it was quite fun for me to make it available. Please take a look and let me know what you think.

CHECK OUT MY SOCIETY6 STORE >> 

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ART :: THE TOP 50 HORROR POSTERS OF ALL TIME… 30 >> 26

As you may be able to tell, I love great poster art, but especially posters from the great horror movie cannon. This is the fifth installment of my countdown of the best of the genre.

Here’s how I selected the list. I used three main criteria to shape my decisions ::

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>> DESIGN / IMAGE — This is the baseline. As a designer by trade, I feel strongly that any great or effective poster HAS to start here. Is the poster effective as a piece of art? Is the poster is a strong representative of the art of graphic design? Did it capture a particular spirit or movement in design?

>> TITILLATION / PROMOTION — Though we tend to contextualize film and the associated collateral as “art,” it is ultimately a form of commerce. Any movie poster has to promote the film it supports either through a delicious tease or overt sales pitch. How effective is the poster at selling the film it is tied to?

>> IMPACT / LEGACY — Sometimes even mediocre films get truly great posters. Sometimes, we even remember the image of the poster far longer than the film itself. What was the lasting effect of the poster? Was it iconic or timeless in some way? Was a part of a larger context?

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Every poster on this list is a cocktail of the above elements, mixed in different ways. All successful in their own right. Let’s jump in to 30 >> 26…

numbers30

twenty_eight_weeks_later

2007

numbers29

the_crazies

2010

numbers28

brides_of_dracula

1960

numbers27

it_conquered_the_world

1956

numbers26

house_on_haunted_hill

1959

Look for Part VI, coming right up!

Special thanks to http://www.impawards.com for many of the images in this countdown. AWESOME site.

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ART :: CHARLES DICKENS: 4 GHOSTS… PART IV

I trust everyone is having a wonderful Christmas season! To celebrate the season here at “The Strange, Far Places,” I wanted to create a poster series in tribute to the Charles Dickens ubiquitous holiday classic “A Christmas Carol.” This is the second installment in the series.

We all know the story and we all tend to think of it for it’s message, a universal story of redemption and change. What we tend to forget because of its hopeful holiday context is that it’s really, in style and subject, another one of Dickens’ ghost stories. Realistically, this story is crawling with them — the four main agents of change within the story being spirits bent on not only educating Scrooge into a new way of life, but also scaring the nightshirt off of him to do so.

With the advent of the New Year, I am posting the final in a 4 poster series in tribute to the season and the ghosts that drive this story of chills and change. Here is poster No. 4 ::

GHOSTOFCHRISTMASFUTURE

The happiest of New Year’s wishes to all!

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ART :: CHARLES DICKENS: 4 GHOSTS… PART III

I trust everyone is having a wonderful Christmas season! To celebrate the season here at “The Strange, Far Places,” I wanted to create a poster series in tribute to the Charles Dickens ubiquitous holiday classic “A Christmas Carol.” This is the third installment in the series.

We all know the story and we all tend to think of it for it’s message, a universal story of redemption and change. What we tend to forget because of its hopeful holiday context is that it’s really, in style and subject, another one of Dickens’ ghost stories. Realistically, this story is crawling with them — the four main agents of change within the story being spirits bent on not only educating Scrooge into a new way of life, but also scaring the nightshirt off of him to do so.

Between now and the New Year, I am posting 4 posters in tribute to the season and the ghosts that drive this Christmas story of chills and change. Here is poster No. 3 ::

GHOSTOFCHRISTMASPRESENT

The happiest of holidays to all!

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ART :: CHARLES DICKENS: 4 GHOSTS… PART II

I trust everyone is having a wonderful Christmas season! To celebrate the season here at “The Strange, Far Places,” I wanted to create a poster series in tribute to the Charles Dickens ubiquitous holiday classic “A Christmas Carol.” This is the second installment in the series.

We all know the story and we all tend to think of it for it’s message, a universal story of redemption and change. What we tend to forget because of its hopeful holiday context is that it’s really, in style and subject, another one of Dickens’ ghost stories. Realistically, this story is crawling with them — the four main agents of change within the story being spirits bent on not only educating Scrooge into a new way of life, but also scaring the nightshirt off of him to do so.

Between now and the New Year, I am posting 4 posters in tribute to the season and the ghosts that drive this Christmas story of chills and change. Here is poster No. 2 ::

GHOSTOFCHRISTMASPAST

The happiest of holidays to all!

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FILM :: BEST OF HORROR SHORTS… “DEUS IRAE”

filmshorts

We’re headed to Argentina for this great horror short. It’s “DEUS IRAE” this week.

This is a wonderfully fun short that brings to mind Guillermo Del Toro meets William Peter Blatty with a healthy dose of Robert Rodriguez and Quentin Tarantino in the pot. Director/producer duo behind “DEUS IRAE” Pedro Cristiani and Guille Gatti should be decidedly proud to invoke those names. This is BEGGING for a full feature-length treatment and at one time Nerdhaus Films (the company behind this dynamic duo) said one was in development. We’re still eagerly awaiting. In the mean time, enjoy this short and all of the promise it brings.

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ART :: CHARLES DICKENS: 4 GHOSTS… PART I

I trust everyone is having a wonderful Christmas season! To celebrate the season here at “The Strange, Far Places,” I wanted to create a poster series in tribute to the Charles Dickens ubiquitous holiday classic “A Christmas Carol.”

We all know the story and we all tend to think of it for it’s message, a universal story of redemption and change. What we tend to forget because of its hopeful holiday context is that it’s really, in style and subject, another one of Dickens’ ghost stories. Realistically, this story is crawling with them — the four main agents of change within the story being spirits bent on not only educating Scrooge into a new way of life, but also scaring the nightshirt off of him to do so.

Between now and the New Year, I will be posting 4 posters in tribute to the season and the ghosts that drive this Christmas story of chills and change. Here is poster No. 1 ::

jacobmarley

The happiest of holidays to all!

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ART :: POSADA… CALAVERA OF THE WEEK

posada

Welcome to the latest in an ongoing tribute to the master of the calavera, José Posada. As I say each week… His rapier visual wit and penchant for the visual metaphor of the human bone remain stunningly fresh today. Sadly, he died penniless and was buried in an unmarked grave. May this series serve as that lasting nod to his incredible legacy.

posada3

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FILM :: BEST OF HORROR SHORTS… “ABE”

filmshorts

Time for another great horror short. The film we’re watching here is called “ABE” and it’s pretty much a perfect example of what great sci-fi horror can be.

Overall, executionally it’s QUITE strong — awesome photography and VFX and truly wonderful performances by the entire cast. That should absolutely be recognized. BUT, it’s the concept, the writing and the story here that make this something really fresh, something great. Annnd, that ending made me grin BIG. Ear-to-ear smiles for this one. Huge kudos to writer / Director Rob McLellan! It’s easy to see why MGM has already picked this up to be a feature film.

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ART :: THE TOP 50 HORROR POSTERS OF ALL TIME… 35 >> 31

As you may be able to tell, I love great poster art, but especially posters from the great horror movie cannon. This is the fourth installment of my countdown of the best of the genre.

Here’s how I selected the list. I used three main criteria to shape my decisions ::

======

>> DESIGN / IMAGE — This is the baseline. As a designer by trade, I feel strongly that any great or effective poster HAS to start here. Is the poster effective as a piece of art? Is the poster is a strong representative of the art of graphic design? Did it capture a particular spirit or movement in design?

>> TITILLATION / PROMOTION — Though we tend to contextualize film and the associated collateral as “art,” it is ultimately a form of commerce. Any movie poster has to promote the film it supports either through a delicious tease or overt sales pitch. How effective is the poster at selling the film it is tied to?

>> IMPACT / LEGACY — Sometimes even mediocre films get truly great posters. Sometimes, we even remember the image of the poster far longer than the film itself. What was the lasting effect of the poster? Was it iconic or timeless in some way? Was a part of a larger context?

======

Every poster on this list is a cocktail of the above elements, mixed in different ways. All successful in their own right. Let’s jump in to 35 >> 31…

numbers35

splice

2010

numbers34

human_centipede

2010

numbers33

godzilla_vs_the_thing

1964

numbers32

thing_with_two_heads

1972

numbers31

grindhouse

2007

Look for Part V, coming right up!

Special thanks to http://www.impawards.com for many of the images in this countdown. AWESOME site.

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